Bahubali 2: The Conclusion (2017)

Director S.S.Rajamouli doesn’t waste a moment to engage you and entertains you for every second of the 167 minute running time!

The film begins with a marble montage of the key events of the first installment. If you want to view part 2 as a spectacle then see it, but it is important to see part 1 to fully enjoy the story as a whole.

As soon as it starts, the film gets right to it. It was a pleasure to watch an Indian movie which moves things along with the blink of an eye, where we actually have to pay attention. Whether it was dramatic scenes or the stellar action, the timing and effects were exemplary.

The previous cast has left its mark, though this time round the story focuses on princess Devasena, the last one was on the warrior Avanthika. Prabhas and Rana Daggubati give us enthralling fight sequences, whilst Sivagami supports the proceedings with her eyes. The remaining characters do their bit to infuse humour, treachery and strength.

The scale of the film is larger than the first and is a fitting conclusion to the story. Embedding key references of scriptures, the film is full of symbolism. A visual treat and a quiz for the brain, the film is clean entertainment with just enough violence.

We were left with the gnawing question:
Kattappa ne bahubali ko kyun maara?
It is one spectacular answer to behold!

4/5

The Ghazi Attack (2017)

Debutant director Sankalp Reddy brings us a tight film with enough pace and tension to make the two hour running time educative and entertaining.

An ensemble cast effort, everyone plays their part. The one that stands out the most is Kay Kay Menon. His character has a graph and a back story which make the others look a little underdeveloped.

Rana Daggubati has a strong ‘junior’ presence, while Atul Kulkarni supports effectively. Taapsee Pannu has the privilege of being the adult female on board the submarine. Rahul Singh manages to incite hate in the short time he’s there. The late Om Puri has a stoic role to suit his stature.

It was a refreshing change to see such content made well and play out decently. Our film makers and audiences should diversify what they make and watch. The film is still running which means it has people who appreciate it.

3/5