Wazir (2016)

Wazir: Bejoy Nambiar brings two powerful actors in a film which centres around a metaphorical and theatrical game of chess. The expectations are high, but the product he delivers is tepid and predictable.

Short at 102 minutes, he extracts good performances from Aditi Rao Hydari who looks vulnerable and beautiful, Neil Nitin Mukesh who is menacing and Manav Kaul who is moderately unlikeable. The two leads of the film are not written equally well, resulting in a half baked character for Farhan Akhtar, and a complete one for Amitabh Bachchan. That is a surprise, because Farhan is a director/actor whose choices are usually spot on. Senior Bachchan can’t do no wrong. He carries the film effortlessly and though his character is wheel-chair bound, he still towers above the rest with his superlative portrayal.

John Abraham makes a wooden cameo, and different versions of the song ‘Tere Bin’ pulls us through what could have been a taut thriller, but is soon relegated into the ordinary and below average.

2/5

Prem Ratan Dhan Payo (2015)

So let’s acknowledge one thing first, the Barjatyas and Fox Star have spent money on the production, and it looks good, mostly.

Besides that there is little to talk about. But as its customary, it shall be discussed, in the hope again, to save your time and money.

Rajshri productions usually focus on family dramas and this is no exception. The tension though, lacks depth and meaning, looking lacklustre with caricature like characters. Random scenes, a weak plot, a supporting cast that wasn’t utilised well, and some misfits were cast too.

Salman Khan has more chemistry with Anupam Kher than with Sonam Kapoor. She does what she does best, look good and mouth some dialogues. The cinema erupted into laughs when she was crying, so that’s the verdict on her acting ability.

Deepak Dobriyal provides some comic relief. Swara Bhaskar is regressive, Armaan Koli laughable. Neil Nitin Mukesh looks princely in a role which suited him well, but lacked dimension.

The songs are abysmal baring the title track. Songs used to be Sooraj Barjatya’s strength, but over the years, that too has dwindled.

Was it as bad as ‘Mein Prem ki Deewani hoon’? Let’s just say they are tied, and leave it at that.

1/5