Chandigarh kare Aashiqui (2021)


Befikre (2016)

Befikre: Aditya Chopra has made a frivolous, silly film where he fails to create romance. He establishes the ‘Frenchness’ of the movie, and you accept it, hoping he will stick to it. But he, like the film, can’t make up his mind, so the audience is subjected to a volley of baseless proceedings.

Cliche. That’s the word I would use to describe my experience. 90 minutes into the movie, I was hoping something, anything would redeem it. But it went further downhill. The film has been directed with careless abandon, much like its name. Kissing incessantly does not equal love, romance or even intimacy. Using the backdrop of Paris it was shoved down our throats but even the Eiffel Tower couldn’t turn the scene.

Ranveer Singh is his usual self. High on energy, good performance, a natural. But the story doesn’t back him up. Vaani Kapoor has difficulty emoting, which makes her look uncomfortable on screen. That is successfully transferred to the audience. Poorly etched and written, they did their best in a script which only demands patience.

I dare you to watch this film. (Ironically a pun you will understand only after you see it. But don’t tell me you were not warned).


Shudh desi romance (2013)

Catching true ‘desi’ flavours of an ‘it’s complicated’ romance set in Jaipur, the Shudh part refers to the irony of choice and chance.

Brilliant comedy that works for many well-written scenes, it’s stringing all the scenes to make a complete story that seems to be the problem with this recipe.

The makers were smart not to have more than two songs, because that would have slowed the humour down. 

We haven’t seen very many ‘feisty and fiercely’ independent girls on screen, and Sushant had his work cut out for him, to match Parineeti and Vaani. 

The three leads play complex yet straight forward, romantic yet detached, caught in the moment and doubting the moment so well, that you can’t help but relate to them. Rishi Kapoor is hilarious, bringing an Anu Kapoor Vicky Donor quality to the story, and the four of them provide comedic situations galore!

The writing may get some flak, so will the end, but I felt it’s justified. What matters most is that you could laugh and yet empathise with ALL of them.

Watch without a bathroom break!