Logan (2017)

I do not enjoy very violent films. I can’t digest gore. But this film is filled with so much adrenaline, raw action and well shot sequences, that it took my breath away.

Touted as the best X-Men film, it makes a huge impact, because it shows the vulnerable, weak and hidden side of a mutant delicately. We see an aging Logan, who fights with demons on the inside and lonely realities on the outside, only to be confronted by very uncomfortable truths.

The villain here is not a person, though there are antagonists. The ‘bad guy’ here is the inner turmoil, facing what we are trying to escape, and above all, the fear of ‘feeling’.

Young Dafne Keen, who plays Laura, will blow your mind with her performance. She is a powerhouse, who plays both ends of the spectrum with so much ease, it’s shocking to note she is only 11 or 12 years old. Patrick Stewart and Stephan Merchant provide able support, while adding finishing touches to their characters.

A fitting farewell to Hugh Jackman’s much admired
character ‘Wolverine’ by director James Mangold, Logan is a class act.

3.5/5

XMEN Apocalypse (2016)

Bryan Singer shows us what a good action movie can be, while developing characters and showing us great special effects.

Unlike The Avenger series, where cliched dialogue and mindless destruction in the form of a CGI overload usually mark the proceedings, here we have effects for the sake of narrative.

Oscar Isaac plays the villain with a patient, menacing quality, while Michael Fassbender plays Magneto with the dilemma most mutants face. James McAvoy is dependable as Charles Xavier, growing into his role and communicating volumes about his gifts and others’.

The ensemble cast includes Jennifer Lawrence, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn and Lucas Till, who add dimensions to the story with their character and are all important in the forces for and against. The premise, though anarchic, is also a direct attack on how we live our lives today and what we would be better off without.

An engaging tale, which is built slowly, giving actors the depth to perform and connect with the audience, the films’ strength was its story telling without relying on special effects. A remarkable feat!

3.5/5