Yeh Jawaani Hai Deewani

Director Ayan Mukherji brings a variety of emotions and nuances of relationships alive on screen, in this closeted musical film. I guess he had hoped but not imagined that all the songs would be so well received, but they are not the only reason this film is good. Here goes…

The writing of the film is meaningful. You have a lot of depth packed into a few dialogues, scenes are short and crisp and so much is said and inferred with body language and eye contact that this doesn’t seem to be a second film of a 29 year old director. People have found the first half packed and fun and the second half slow. Well, the pace was meant to be a slower, and yes I found both halves in appropriate speed limits.

It is difficult to make Deepika look different, or act different, but they have achieved that. She has communicated silently, mostly using her eyes, which is a feat for a young actress. Kalki is a feisty young girl, and fits her character to the T. Aditya is suffering from a different addiction this time, but the last one made more than 100 crores at the box office, so go ahead, indulge! Ranbir, is, well, Ranbir. The perfect combination of genes, talent, looks and sheer hardwork, this man is flawless.

The songs are catchy, fun, different and well shot. I think it was a masterstroke idea to get the crowd revved up by starting with Madhuri’s item number. The womans’ still got it and we get a tiny peek into what entertainment awaits us.

We get to see some beautiful locations around India and the world, which act as mere props because the story is stronger than the visual. A Karan Johar production through and through!

The spectrum of human emotions served delicately, this film is friendship, love, family, work and passion!

4/5

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