Love is the Question. Love is the Answer.
Author: sandeepadnani
Ender’s Game (2013)
It took some convincing to watch this film, which appeared another ‘save the world’ genre, using the talents of young children’s gaming skills no less! Keeping the alien threat aside, this film used combat strategy and teenage psychology to come up with the most effective battle plan to save Earth.
The pressure the kids are put under seems downright unethical, because they are strategically being used for their ‘fearless, risk taking, abandoning feasibility’ type qualities. The training they go through, and how Ender is identified and rises up the ranks, balances the action/special effects quotient with decent drama.
We have stalwarts like Harrison Ford and Ben Kingsley supported by the talented Viola Davis, but the film belongs to the ensemble of young adults in it. Asa Butterfield as Ender, Hailee Steinfeld as Petra and Abigail Breslin as Valentine are memorable, whilst their peers that surround them are sincere to their roles.
An engaging watch.
3.5/5
Hasee toh Phasee (2014)
What seemed like a rom-com in the promos turned out to be a dramatic and disjointed film on screen.
Sidharth Malhotra showed promise in his debut film because he was given a good character. This time round, his dancing has improved and his emotions are understated, delivering some tricky lines without going over the top. But he was simply the ‘male lead’. This was Parineeti Chopra’s film, and her performance was superlative. His character should have been developed and kept in sync with how they show him as a child, matching up to his co-star in every way.
The music leaves much to be desired and the production doesn’t bear the dharma productions trademark, although KJo makes an appearance, hoping it would add some value, but it doesn’t. Peppered with some very good scenes and humorous / emotional moments, it lacked the screenplay and story to make it a film to take home.
2.5/5
Saving Mr. Banks (2013)
Director John Lee Hancock, who made the Blind Side (Sandra Bullock got her Oscar for playing super mom), amongst many other films, has dared to tell this tale which speaks of an author’s journey and a dream maker’s challenge.
Serving us a slice of history which many may not know about, Walt Disney has been pursuing writer of the famous Mary Poppins, Mrs. P.L. Travers, for two decades. Once she signs over the rights of her beloved nanny story, he can fulfil his promise to his daughters of making her come alive on screen.
We have an author who won’t give up her story, and a dream maker who wants to make people of all ages happy. Their battle, whilst the author fights her own memories, moves this film on a leisurely pace, to match the era it is set in.
For an aspiring author like me, this film is a magical insight into the psychology of such a celebrated writer, enacted brilliantly by Emma Thompson. Tom Hanks has been given his trade mark monologue in the film at the end, where his voice and expressions tell us everything he was trying to hold back.
Collin Farrell does full justice to the role of young Traver’s father, the source of her inspiration as a writer, as he indulges her imagination and is pretty theatrical himself. A very unlikely role for an actor of his repertoire.
The film has its humour and drama, ending with a sense of accomplishment and evolution, for both the characters and the audience, summed up eloquently in a line by Walt Disney:
“Life is a harsh sentence to lay down for yourself.”
3.5/5
Pay it forward (2000)
I have had this DVD for the longest time and got around to seeing it recently wanting to watch ‘a light and positive’ film.
The film was positive, but not light in any way! Intense drama surrounds the characters as they face their demons, because the gesture little Trevor (Haley Joel Osment) suggested, should change the person’s life in a big way. From childhood scars, intimacy issues, drug and alcohol addiction to making the right romantic choices, its all here. How people can help and be open to help is the crux of the movie, which is handled in a patient, healing manner.
Based on the National bestseller book by Catherine Ryan Hyde, Director Mimi Leder has made a film which has a stellar cast who gets the message across with sincerity. Kevin Spacey and Helen Hunt are ably supported by Jim Caviezel, Angie Dickinson, David Ramsey, Jay Mohr and others to bring about a ‘movement’ in the hearts of the audience.
With that thought, go forward, help someone and ask them to do the same for someone else.
3.5/5
The role of a lifetime
I stood in the side lines, waiting for the curtains to part. Anticipation filled the air, we were hardly breathing. The house was full, the stage was set, the lights went out and act one began. The phone rang, it wasn’t good news. The audience had no choice but to be sucked right into the vortex of drama, where weeping and shock had taken over the scene.
As the act progressed, natural human nature took over and the characters moved on to different things. It is funny, this business of news. We brood over bad news much more than we celebrate good news. We also fiercely deny the existence of bad news. Like all things, this too shall pass. Friendship eased the wounds, which would eventually turn into scars, meant to be reminisced about, maybe even laughed at. This act was almost at an end, when something signalled my attention from the other side. It was Love. I gestured it to wait, holding out my hand. It didn’t understand. I mouthed the words ‘You are on next, wait for act two’, making a peace sign with my fingers.
It nodded and waited. As the curtains closed, we set the stage for Love to make its grand entry. Act two was going to be happy, cheery and bright. The first line was uttered when the lights shone bright, the oldest three word phrase ‘I love you’ was met with claps, cheers and hoots. Someone even let out a shrill whistle. Works every time, doesn’t it? I thought to myself. Love did its business, of making cupids work, flowers bloom, scents dance in the air and the like. We had to give the audience its sugar before giving them their medicine, right?
Intermission was announced on a high note. Everyone was chirpy and chatty. Another ‘happily ever after story’, and we get our money’s worth, they must be thinking. But alas, an avalanche of emotions awaited them in act three. Smiles had settled on their faces, their muscles had relaxed. Enough song and dance, tragedy entered, interrupting the reverie. The hurricane that ensued, the gasps, the wide eyes, how people clenched their hands, caught the arms of the ones sitting beside them, this was the theatre in all its melodramatic grandeur.
People actually let out a sigh of relief as the act ended, it sounded like the waves had washed in to calm them down, accompanied by the soft breeze of lights dimming, followed by a long silence. They still had to endure act four. What would happen next? What did fate have in store? The scene opens with a single light casting a shadow, a familiar song played. A silhouette of times past. They look into each others eyes, knowing this is the last dance. As their hands parted, the audience didn’t seem to understand why. Perhaps they were expecting serendipity. The last curtain was drawn. There was a brief moment of reflection, and then a murmur. A call that grew louder. “Author!”. “Author!”.
I stumbled forward, lights blinding my eyes. A few steps out of the sidelines and my world had transformed. I had forgotten it was me. I thought I was a spectator of my own life. I thanked them for their admiration, I appreciated their applause. Each clap took me miles away, echoing inside chambers where no memory had lived for the longest time. Someone yelled a question, “Why such an end?”.
I quickly said “Just because it didn’t survive, doesn’t mean it wasn’t love”, bowed and exited. I didn’t want to start act five.
Fukrey (2013)
Fukrey : The beauty of a different story, though completely crazy, and its whimsical characters, directed well on a budget, is what makes this film a winner. Four guys need quick money and the scheme which seems simple gets them into a lot of trouble.
Pulkit Samrat as the ambitious Hunny, Varun Sharma as the dreamer Choocha, Ali Fazal as the lovelorn guitarist Zafar and Manjot Singh as the unconfident Lali are up against Richa Chadda, the female don a.k.a. Bholi Panjaban.
The comedy is superb and the scenes are strung together very well, giving ample doses of humour, tension and ‘what madness will happen next?’.
Well done Mrigdeep Singh Lamba (Director) and Vipul Vig (Screenplay, Story & Dialogue)!
3/5
Madras Cafe (2013)
This film which was shot and directed really well, but had a few loop holes. The documentary style approach, its vivid story telling, is not common for the Indian audience.
While we were ‘spoon fed’ what may have happened during the lead up to the assassination of our ‘ex PM’ and the circumstances that surrounded it, it was the cast that let the product down. John is wooden without any emotion, and goes through the film mouthing lines. Other important characters are either too emphatic, or caricature-like. Nargis Fakhri was not convincing at all. There are some good performances, but the casting could have been better. Some details in the story are either missing or vague, but they can be over looked by the masses. The discerning viewer will catch them though.
What saves the film is the direction and an honest attempt to say a story differently. Shots of war, distress, trauma and the planning and completion of the mission are executed very well. I guess since John was producer, the director was stuck with this particular talent.
Another feather in the cap for Shoojit Sircar after Yahaan (2005) and Vicky Donor (2012).
3/5
Cloudy with a chance of meatballs 2 (2013):
Judi Barrett’s book ‘Cloudy with a chance of meatballs’ should have been left as a single film. This sequel which takes the ‘weather food’ predicament a step further did not entertain.
The ‘foodimals’ are unique and interesting to watch, but the antagonist and his motive don’t work even on an animated level. Many scenes from the film remind you of ‘Jurassic Park’ and ‘Avatar’, but nothing saves the film.
This is a rich animated product which lacks the magic, awe and connection with the audience.
1.5/5
