Saving Mr. Banks (2013)

Director John Lee Hancock, who made the Blind Side (Sandra Bullock got her Oscar for playing super mom), amongst many other films, has dared to tell this tale which speaks of an author’s journey and a dream maker’s challenge.

Serving us a slice of history which many may not know about, Walt Disney has been pursuing writer of the famous Mary Poppins, Mrs. P.L. Travers, for two decades. Once she signs over the rights of her beloved nanny story, he can fulfil his promise to his daughters of making her come alive on screen.

We have an author who won’t give up her story, and a dream maker who wants to make people of all ages happy. Their battle, whilst the author fights her own memories, moves this film on a leisurely pace, to match the era it is set in.

For an aspiring author like me, this film is a magical insight into the psychology of such a celebrated writer, enacted brilliantly by Emma Thompson. Tom Hanks has been given his trade mark monologue in the film at the end, where his voice and expressions tell us everything he was trying to hold back.

Collin Farrell does full justice to the role of young Traver’s father, the source of her inspiration as a writer, as he indulges her imagination and is pretty theatrical himself. A very unlikely role for an actor of his repertoire.

The film has its humour and drama, ending with a sense of accomplishment and evolution, for both the characters and the audience, summed up eloquently in a line by Walt Disney:

“Life is a harsh sentence to lay down for yourself.”

3.5/5

Pay it forward (2000)

I have had this DVD for the longest time and got around to seeing it recently wanting to watch ‘a light and positive’ film.

The film was positive, but not light in any way! Intense drama surrounds the characters as they face their demons, because the gesture little Trevor (Haley Joel Osment) suggested, should change the person’s life in a big way. From childhood scars, intimacy issues, drug and alcohol addiction to making the right romantic choices, its all here. How people can help and be open to help is the crux of the movie, which is handled in a patient, healing manner.

Based on the National bestseller book by Catherine Ryan Hyde, Director Mimi Leder has made a film which has a stellar cast who gets the message across with sincerity. Kevin Spacey and Helen Hunt are ably supported by Jim Caviezel, Angie Dickinson, David Ramsey, Jay Mohr and others to bring about a ‘movement’ in the hearts of the audience.

With that thought, go forward, help someone and ask them to do the same for someone else.

3.5/5

The role of a lifetime

I stood in the side lines, waiting for the curtains to part. Anticipation filled the air, we were hardly breathing. The house was full, the stage was set, the lights went out and act one began. The phone rang, it wasn’t good news. The audience had no choice but to be sucked right into the vortex of drama, where weeping and shock had taken over the scene.

As the act progressed, natural human nature took over and the characters moved on to different things. It is funny, this business of news. We brood over bad news much more than we celebrate good news. We also fiercely deny the existence of bad news. Like all things, this too shall pass. Friendship eased the wounds, which would eventually turn into scars, meant to be reminisced about, maybe even laughed at. This act was almost at an end, when something signalled my attention from the other side. It was Love. I gestured it to wait, holding out my hand. It didn’t understand. I mouthed the words ‘You are on next, wait for act two’, making a peace sign with my fingers.

It nodded and waited. As the curtains closed, we set the stage for Love to make its grand entry. Act two was going to be happy, cheery and bright. The first line was uttered when the lights shone bright, the oldest three word phrase ‘I love you’ was met with claps, cheers and hoots. Someone even let out a shrill whistle. Works every time, doesn’t it? I thought to myself. Love did its business, of making cupids work, flowers bloom, scents dance in the air and the like. We had to give the audience its sugar before giving them their medicine, right?

Intermission was announced on a high note. Everyone was chirpy and chatty. Another ‘happily ever after story’, and we get our money’s worth, they must be thinking. But alas, an avalanche of emotions awaited them in act three. Smiles had settled on their faces, their muscles had relaxed. Enough song and dance, tragedy entered, interrupting the reverie. The hurricane that ensued, the gasps, the wide eyes, how people clenched their hands, caught the arms of the ones sitting beside them, this was the theatre in all its melodramatic grandeur.

People actually let out a sigh of relief as the act ended, it sounded like the waves had washed in to calm them down, accompanied by the soft breeze of lights dimming, followed by a long silence. They still had to endure act four. What would happen next? What did fate have in store? The scene opens with a single light casting a shadow, a familiar song played. A silhouette of times past. They look into each others eyes, knowing this is the last dance. As their hands parted, the audience didn’t seem to understand why.  Perhaps they were expecting serendipity. The last curtain was drawn. There was a brief moment of reflection, and then a murmur.  A call that grew louder. “Author!”. “Author!”.

I stumbled forward, lights blinding my eyes. A few steps out of the sidelines and my world had transformed. I had forgotten it was me. I thought I was a spectator of my own life. I thanked them for their admiration, I appreciated their applause. Each clap took me miles away, echoing inside chambers where no memory had lived for the longest time. Someone yelled a question, “Why such an end?”.

I quickly said “Just because it didn’t survive, doesn’t mean it wasn’t love”, bowed and exited. I didn’t want to start act five.

Fukrey (2013)

Fukrey : The beauty of a different story, though completely crazy, and its whimsical characters, directed well on a budget, is what makes this film a winner. Four guys need quick money and the scheme which seems simple gets them into a lot of trouble.

Pulkit Samrat as the ambitious Hunny, Varun Sharma as the dreamer Choocha, Ali Fazal as the lovelorn guitarist Zafar and Manjot Singh as the unconfident Lali are up against Richa Chadda, the female don a.k.a. Bholi Panjaban.

The comedy is superb and the scenes are strung together very well, giving ample doses of humour, tension and ‘what madness will happen next?’.

Well done Mrigdeep Singh Lamba (Director) and Vipul Vig (Screenplay, Story & Dialogue)!

3/5

Madras Cafe (2013)

This film which was shot and directed really well, but had a few loop holes. The documentary style approach, its vivid story telling, is not common for the Indian audience.

While we were ‘spoon fed’ what may have happened during the lead up to the assassination of our ‘ex PM’ and the circumstances that surrounded it, it was the cast that let the product down. John is wooden without any emotion, and goes through the film mouthing lines. Other important characters are either too emphatic, or caricature-like. Nargis Fakhri was not convincing at all. There are some good performances, but the casting could have been better. Some details in the story are either missing or vague, but they can be over looked by the masses. The discerning viewer will catch them though.

What saves the film is the direction and an honest attempt to say a story differently. Shots of war, distress, trauma and the planning and completion of the mission are executed very well. I guess since John was producer, the director was stuck with this particular talent.

Another feather in the cap for Shoojit Sircar after Yahaan (2005) and Vicky Donor (2012).

3/5

Cloudy with a chance of meatballs 2 (2013):

Judi Barrett’s book ‘Cloudy with a chance of meatballs’ should have been left as a single film. This sequel which takes the ‘weather food’ predicament a step further did not entertain.

The ‘foodimals’ are unique and interesting to watch, but the antagonist and his motive don’t work even on an animated level. Many scenes from the film remind you of ‘Jurassic Park’ and ‘Avatar’, but nothing saves the film.

This is a rich animated product which lacks the magic, awe and connection with the audience.

1.5/5

American Hustle (2013)

When so much awards buzz surrounds a film expectations tend to run high. The reason why this film, its actors and team are winning is evident when you watch it.

The strength of this film is that it was NOT trying so hard to convince you of anything, paint a picture about the era or force you to feel for the characters. The characters are so brilliantly written, and acted, that you don’t know which lines to take home. Usually, you take home a few, but here there are quite a few.

The pace of the film and its many agendas quickly blur into the journeys of the characters and the mission they are up against, where the audience knows full well that some cards have yet not been revealed.

Director David O. Russell has put together such an explosive cast and rightly so, as the eccentricities of their characters demand so much. Christian Bale has changed his entire physical being for Irving Rosenfeld, whereas Amy Adams charms and cons as Sydney Prosser. Jennifer Lawrence shows yet again why she won the Oscar last year and why she may win again this year too. Her instability and the way she copes with her mental space is displayed for all to see as Rosalyn Rosenfeld. Bradley Cooper plays the obsessed FBI agent Richie DiMaso, who is blinded by a self proclaimed mission.

This film, unlike its characters, wont hustle you! Get your guard down and watch it!

3.5/5

The moment you have expectations from someone else, reflect on the ones that you have from yourself. Chances are, you expect from others when you have not fulfilled your own.

Shahid (2013)

Based on the real life of lawyer and human rights activist Shahid Azmi, this biographical film is intense and an eye opener.

The journey of Shahid from fear, to being recruited, being imprisoned and turning into a rebellious lawyer is captured effectively, with a very good supporting cast.

What Shahid tried to do in his lifetime, this movie has tried to continue, shedding light on the many loopholes, injustices, power games and prejudices that exist in India. The true villain behind some horrific events was always shrouded in mystery, but here many conspiracies are exposed.

Director Hansal Mehta has worked on a variety of films before, but this one is perhaps his most sincere effort. Raj Kumar Yadav, now known as Rajkummar Rao, effortlessly carries the film, portraying many emotions with restraint and his ambition with abandon.

3/5