Badlapur (2015)

The extent of damage caused by grief is seen in this intense film which keeps catching you off guard.

Director Sriram Raghavan has gone a step further in this tale of revenge, where we see gory scenes and details and have no time to digest them.

Varun Dhawan has portrayed the character of a man that spans more than two decades, playing a care free young man, a responsible married man and the rest that follows. He has a spectrum from a ‘happy go lucky full of life guy’ to a ‘raw menacing wide eyed freak’. There is a complete transformation and an unforgiving streak which make him unpredictably scary.

Nawazzudin Siddiqui on the other hand is perhaps the anti-Varun, dealing with the proceedings in the moment. He is non chalant and unaffected. The audience was stretched to process both of them.

The film is brilliant in exposing small moments from new angles which add a rich texture to the story. An ensemble cast effort, every member has played an important part.

The climax is the best part of the film. You don’t know how you arrived there. You don’t know how things will move forward. But the Indian audience has to be spoon fed so nothing is left to the imagination.

A dark grisly tale which is a highlight in varun’s career and another feather for Nawazzudin.

3.5/5

Ragini MMS 2 (2014)

What Ekta Kapoor set out to do, she achieved. The promos promised a frat-house slasher style flick with some scares and sex, we got all that and some humour too.

Picking up from where Ragini MMS left us, we are introduced to ‘Sunny’ playing herself. The Baby doll song being an instant hit, was a smart way to start off the creepy proceedings. AIB cast member Tanmay bhat makes an unrequired cameo, we would have liked some jokes rather than sleaze.

The humour was very effectively provided by Sandhya Mridul and Karan Mehra, both of whom got rewarded by Sunny ;-). Parvin Dabbas tries comedy but annoys and the famous Marathi ‘chutkan / chudail’ back story is finally revealed.

Cheesy, predictable with a few jolts and scares, it was everything it promised to be and nothing more. Sunny Leone can act, so this was a good move for her. Divya Dutta is wasted in a role that didnt need a person of her calibre.

I would have liked more horror, but that genre needs some risk taking and an experimental approach in India, which is unlikely to happen soon.

2/5

Bhaag Milkha Bhaag (2013)

Rakeysh Omprakash Mehra (ROM): Sheer Brilliance

Farhan Akhtar: Pure physical strength as an athlete and 110% talent as an actor

With that out of the way, I will start with the one and only thing that I felt could deter the success of this film, and that’s the length. At 187 minutes ‘running time’ (pun intended), it is a medium paced drama that unfolds at reasonable pace. Not one scene or act or song is extra or un-required, but it may seem long for the majority of audiences.

ROM does what he does best, weaving history with cinema in a way that presents a time capsule to us, authentic and un-adulterated. ROM was a national level swimmer, and represented India in the 1982 Asian games, so he is no stranger to feeling the tension and excitement of the ‘games environment’. He has translated that wonderfully on to the screen, keeping in the mind how different the era was at that time.

The journey of the ‘Flying Sikh’, played wonderfully by the young Milkha and carried forward with a towering performance by Farhan, make this film a ‘record’ of sorts. From his humble beginnings, to the scar of partition, to growing up and proving himself, the audience is always with Milkha and watching him at the same time. We develop this relationship of an unsaid mentor, guide or spectator, wishing we could somehow change his path. But he always surprises us with his choices, doing the unsaid, treading the unknown, challenging himself beyond measure and the rest, is of course, history.

Perhaps the misfit in this film was Sonam Kapoor, but her presence doesn’t hamper the film in anyway, and ROM has managed to get a performance out of her too.

Divya Dutta, Prakash Raj, Yograj Singh, Pawan Malhotra, Dalip Tahil and a host of other actors have very well written characters. It would be wrong to say they support the story, as they are in some way part of Milkha himself, not only his journey. So in this respect lets call them extensions of the main character, which rarely happens in movies.

The camera work to shoot a sport like running can get repetitive, but they have paid attention to make sure the angles and shots are different and unique. The cinematography, especially in the scenes where he is training, is breath taking. The music is appropriate for the energy and circumstance of the many events depicted in the film.

I know this review is ‘running a little long’, but as you will realise once you see it, its hard to do justice to it in few words. I thought about who else could play Milkha, and there is no one in our industry who can do so, the way Farhan did. He was a revelation with his many facets, but his most prized was definitely the grit and determination he conveyed WITHOUT the use of his startling physique. He got across the madness, the religious discipline and the many small moments and misdemeanours, which Milkha himself would have come across.

I went with a Bollywood enthusiast who watches 2 films a year, and he wanted this to be one of them, so that should say something. Run to the closest cinema to you, this is one film which will inspire you.

4/5

 

Some Trivia:

–          Milkha sold his story for 1 rupee to ROM

–          Apparently, Sonam was paid 11 rupees for her role (too much, but hey the girl needs to shop!

–          ROM purchased Milkha’s original shoes which he won the Olympic games with, for 41000 USD and gifted them to Farhan