Viceroy’s House (2017)

Gurinder Chadha presents a period film this time round, from the perspective of the Mountbatten family. Always a touchy subject, the partition is seen from the stories of staff inside The Viceroys House.

Palatial and luxurious, it has its own political dynamic, which is threatened by the eminent handover of the country. While the destiny of India is battled out by the leaders, a romance blossoms.

It’s a delicate tale told with dignity, without getting caught up in the violence and gore of the time. The film has a strong cast which delivers on every count.

A well made film which is a departure from the directors usual style and technique.

3/5

Jolly LLB 2 (2017)

Touted as a black comedy this film is a total contempt of any genre, as it can’t make up its mind. Defying logic, with a graph trembling out of control, it’s filled with moronic highs and lows and tacky product placements.

Akshay Kumar usually does good content but here it’s beyond laughable. It’s shocking how much mockery has been made of the legal system, a judge and lawyers. One moment you are in a tense situation, the next moment you have foolish jokes and crass references.

Let’s examine the ‘law’ aspect of things. There is none. No respect at all, hence no fear or accountability. It’s a film with caricatures and planted emotions which anger you instead of creating empathy. Forced songs which are so lame that your eyes roll behind your head. Huma Qureshi is wasted, Annu Kapoor is an idiot, Saurabh Shukla is silly.

A big step down for director Subhash Kapoor after Jolly LLB. Absurd to say the least.

Enough ranting.

1/5

Dedh Ishqiya (2014)

Khalujaan and babban are back, not with a vengeance but with the 7 stages of love. While the chemistry and ‘loyalty’ between the Naseer and Arshad was the highlight in the first film, here it provides the comic relief.

If ‘Ishqiya’ was raw and rural in its appeal, this film is the stark opposite with beautiful Urdu poetry and Lucknowi manners. But I wish they would have retained the utter twisted nature and punches that were thrown at the audience in Ishqiya, in this one too. Here we were stabbed, but with a nawabi etiquette.  

Madhuri enchants with her dance and beauty. Her character has various shades, suits her age and her diction of the lyrical Urdu is perfect. Huma as Muniya is the raw woman who actually makes a man doubt his manhood. Together they make a sensual team who are a force to reckon with for our fraud duo.

The true hero though, of this film, is the authenticity. From the location, to the sets, the costume, dialogue, the colour palette and music, everything is original and transports you to an era where the story and its characters are not only believable, but comical too. The plot unfolds slowly, the language shocks, entertains and romances the audience, while we know there is more to the niceties than meets the eye.

Director Abhishek Chaubey, Producer/Dialogue writer Vishal Bhardwaj and Lyricist Gulzar get full points to create the ambiance, which is peppered by manipulation, love, lust and revenge.

3/5