The role of a lifetime

I stood in the side lines, waiting for the curtains to part. Anticipation filled the air, we were hardly breathing. The house was full, the stage was set, the lights went out and act one began. The phone rang, it wasn’t good news. The audience had no choice but to be sucked right into the vortex of drama, where weeping and shock had taken over the scene.

As the act progressed, natural human nature took over and the characters moved on to different things. It is funny, this business of news. We brood over bad news much more than we celebrate good news. We also fiercely deny the existence of bad news. Like all things, this too shall pass. Friendship eased the wounds, which would eventually turn into scars, meant to be reminisced about, maybe even laughed at. This act was almost at an end, when something signalled my attention from the other side. It was Love. I gestured it to wait, holding out my hand. It didn’t understand. I mouthed the words ‘You are on next, wait for act two’, making a peace sign with my fingers.

It nodded and waited. As the curtains closed, we set the stage for Love to make its grand entry. Act two was going to be happy, cheery and bright. The first line was uttered when the lights shone bright, the oldest three word phrase ‘I love you’ was met with claps, cheers and hoots. Someone even let out a shrill whistle. Works every time, doesn’t it? I thought to myself. Love did its business, of making cupids work, flowers bloom, scents dance in the air and the like. We had to give the audience its sugar before giving them their medicine, right?

Intermission was announced on a high note. Everyone was chirpy and chatty. Another ‘happily ever after story’, and we get our money’s worth, they must be thinking. But alas, an avalanche of emotions awaited them in act three. Smiles had settled on their faces, their muscles had relaxed. Enough song and dance, tragedy entered, interrupting the reverie. The hurricane that ensued, the gasps, the wide eyes, how people clenched their hands, caught the arms of the ones sitting beside them, this was the theatre in all its melodramatic grandeur.

People actually let out a sigh of relief as the act ended, it sounded like the waves had washed in to calm them down, accompanied by the soft breeze of lights dimming, followed by a long silence. They still had to endure act four. What would happen next? What did fate have in store? The scene opens with a single light casting a shadow, a familiar song played. A silhouette of times past. They look into each others eyes, knowing this is the last dance. As their hands parted, the audience didn’t seem to understand why.  Perhaps they were expecting serendipity. The last curtain was drawn. There was a brief moment of reflection, and then a murmur.  A call that grew louder. “Author!”. “Author!”.

I stumbled forward, lights blinding my eyes. A few steps out of the sidelines and my world had transformed. I had forgotten it was me. I thought I was a spectator of my own life. I thanked them for their admiration, I appreciated their applause. Each clap took me miles away, echoing inside chambers where no memory had lived for the longest time. Someone yelled a question, “Why such an end?”.

I quickly said “Just because it didn’t survive, doesn’t mean it wasn’t love”, bowed and exited. I didn’t want to start act five.

Fukrey (2013)

Fukrey : The beauty of a different story, though completely crazy, and its whimsical characters, directed well on a budget, is what makes this film a winner. Four guys need quick money and the scheme which seems simple gets them into a lot of trouble.

Pulkit Samrat as the ambitious Hunny, Varun Sharma as the dreamer Choocha, Ali Fazal as the lovelorn guitarist Zafar and Manjot Singh as the unconfident Lali are up against Richa Chadda, the female don a.k.a. Bholi Panjaban.

The comedy is superb and the scenes are strung together very well, giving ample doses of humour, tension and ‘what madness will happen next?’.

Well done Mrigdeep Singh Lamba (Director) and Vipul Vig (Screenplay, Story & Dialogue)!

3/5

Madras Cafe (2013)

This film which was shot and directed really well, but had a few loop holes. The documentary style approach, its vivid story telling, is not common for the Indian audience.

While we were ‘spoon fed’ what may have happened during the lead up to the assassination of our ‘ex PM’ and the circumstances that surrounded it, it was the cast that let the product down. John is wooden without any emotion, and goes through the film mouthing lines. Other important characters are either too emphatic, or caricature-like. Nargis Fakhri was not convincing at all. There are some good performances, but the casting could have been better. Some details in the story are either missing or vague, but they can be over looked by the masses. The discerning viewer will catch them though.

What saves the film is the direction and an honest attempt to say a story differently. Shots of war, distress, trauma and the planning and completion of the mission are executed very well. I guess since John was producer, the director was stuck with this particular talent.

Another feather in the cap for Shoojit Sircar after Yahaan (2005) and Vicky Donor (2012).

3/5

Cloudy with a chance of meatballs 2 (2013):

Judi Barrett’s book ‘Cloudy with a chance of meatballs’ should have been left as a single film. This sequel which takes the ‘weather food’ predicament a step further did not entertain.

The ‘foodimals’ are unique and interesting to watch, but the antagonist and his motive don’t work even on an animated level. Many scenes from the film remind you of ‘Jurassic Park’ and ‘Avatar’, but nothing saves the film.

This is a rich animated product which lacks the magic, awe and connection with the audience.

1.5/5

American Hustle (2013)

When so much awards buzz surrounds a film expectations tend to run high. The reason why this film, its actors and team are winning is evident when you watch it.

The strength of this film is that it was NOT trying so hard to convince you of anything, paint a picture about the era or force you to feel for the characters. The characters are so brilliantly written, and acted, that you don’t know which lines to take home. Usually, you take home a few, but here there are quite a few.

The pace of the film and its many agendas quickly blur into the journeys of the characters and the mission they are up against, where the audience knows full well that some cards have yet not been revealed.

Director David O. Russell has put together such an explosive cast and rightly so, as the eccentricities of their characters demand so much. Christian Bale has changed his entire physical being for Irving Rosenfeld, whereas Amy Adams charms and cons as Sydney Prosser. Jennifer Lawrence shows yet again why she won the Oscar last year and why she may win again this year too. Her instability and the way she copes with her mental space is displayed for all to see as Rosalyn Rosenfeld. Bradley Cooper plays the obsessed FBI agent Richie DiMaso, who is blinded by a self proclaimed mission.

This film, unlike its characters, wont hustle you! Get your guard down and watch it!

3.5/5

The moment you have expectations from someone else, reflect on the ones that you have from yourself. Chances are, you expect from others when you have not fulfilled your own.

Shahid (2013)

Based on the real life of lawyer and human rights activist Shahid Azmi, this biographical film is intense and an eye opener.

The journey of Shahid from fear, to being recruited, being imprisoned and turning into a rebellious lawyer is captured effectively, with a very good supporting cast.

What Shahid tried to do in his lifetime, this movie has tried to continue, shedding light on the many loopholes, injustices, power games and prejudices that exist in India. The true villain behind some horrific events was always shrouded in mystery, but here many conspiracies are exposed.

Director Hansal Mehta has worked on a variety of films before, but this one is perhaps his most sincere effort. Raj Kumar Yadav, now known as Rajkummar Rao, effortlessly carries the film, portraying many emotions with restraint and his ambition with abandon.

3/5

B.A.Pass (2013)

This dark film captures the depressing spiral of a life that’s marked by a series of unfortunate events. Shilpa Shukla is a manipulative house wife who takes advantage of the young Shadab Kamal and changes his life. The audience then witnesses the slow and painful stripping of the human soul of every shred of dignity.

Director Ajay Bahl ventures into bold territory, not because of the sexual nature of the film, but the myriad of human emotions he attempts to capture in his directorial debut. Not only does he manage to do that, he translates them into a very explosive drama.

The effects of this well made film linger far after it is over.

3/5

Dedh Ishqiya (2014)

Khalujaan and babban are back, not with a vengeance but with the 7 stages of love. While the chemistry and ‘loyalty’ between the Naseer and Arshad was the highlight in the first film, here it provides the comic relief.

If ‘Ishqiya’ was raw and rural in its appeal, this film is the stark opposite with beautiful Urdu poetry and Lucknowi manners. But I wish they would have retained the utter twisted nature and punches that were thrown at the audience in Ishqiya, in this one too. Here we were stabbed, but with a nawabi etiquette.  

Madhuri enchants with her dance and beauty. Her character has various shades, suits her age and her diction of the lyrical Urdu is perfect. Huma as Muniya is the raw woman who actually makes a man doubt his manhood. Together they make a sensual team who are a force to reckon with for our fraud duo.

The true hero though, of this film, is the authenticity. From the location, to the sets, the costume, dialogue, the colour palette and music, everything is original and transports you to an era where the story and its characters are not only believable, but comical too. The plot unfolds slowly, the language shocks, entertains and romances the audience, while we know there is more to the niceties than meets the eye.

Director Abhishek Chaubey, Producer/Dialogue writer Vishal Bhardwaj and Lyricist Gulzar get full points to create the ambiance, which is peppered by manipulation, love, lust and revenge.

3/5

What makes you attractive?

image

After having numerous discussions with many friends, I have put together a little piece, which I hope will entertain you at the very least, if not enlighten you.

Trying not to sound like Dr. Ross Geller, I have specified 3 main categories for attraction:

1) ‘Across the room’ attractive: The person’s smile, voice, body language, form, dressing, the way they hold a drink or a conversation, what they drink, how they dance. Some were drawn to the mysterious quiet type, while others liked the chirpy energetic type. Some wanted the other to make the first move, some thought that their own move should be read well by others. Few were turned on by how successful people were, whilst some openly said ‘richie rich’ was the only type that caught their attention. While all these things are what may draw you to the person, they may not keep your attention for long.

2) ‘When you get to know someone’ attractive: Sense of humour. Sarcastic Wit. Intelligence. Vocabulary. Conversation skills. How they treat other people, especially waiters. Their scent. Table manners. If they get your jokes. If they hold the door and pay/split the bill. Plan the plan and embrace the spontaneity. Enjoy the same things, activities. Eye contact. The chemical reaction that happens when they accidently touch you. A good listener. This is where you ascertain that people are not telling you what you want to hear, but are actually being their true selves.

3) ‘When you love someone’ attractive: Here is where the ‘fundamentals’ come in to play and ‘the list’ from category 1 goes out the window. Comfortable silences. When you want to wake up with someone and see them at their most natural. While talking to them you don’t see their face, not even their eyes, but the light inside them. When you remember each and every detail about their form, and find every little hair, spot or scar beautiful. When just their thought can excite you. When you complete each other’s sentences. When you pick the same thing from the menu, the same song from the list. When you see them stand for what’s right. When you see them defend you. Actions, rather than attributes, become attractive and sought after at this stage. When your thoughts about what is really important are aligned with someone else’s, when they can always make you laugh, then you have an attraction that will not fade with physical aging.

In the heated and sometimes hilarious discussions of what does and doesn’t get the temperature soaring, I was asked what I think of this subject. I was very clear on the issue. Being attractive is something you develop, it is not based on your looks. Yes some are born beautiful or handsome, photogenic and proportionate. Many of us work hard to keep fit and groom ourselves. But we have certain personality traits that maybe desirable and improved, yet others have to be kept under control. For me loyalty and communication were key in attraction. Of course loyalty takes time to assess, while communication is more easily gauged. A quality which is very attractive these days is a cool headed and patient personality. It comes in handy in our stressful lives.

When I remember admiring someone, the strongest feeling I recollect is how I felt being around them. If I was comfortable, wanted to spend more time and couldn’t wait to see them again was a sure enough sign. So the funny thing is how attractive someone else is has more to do with you, and your perception of them, than them individually. What qualities you see in a person may only be visible to you, either because you care enough to actually pay attention or because they are trying to reach out only to you. I recollect how I was warned against a ‘player’ type personality. I couldn’t see it. Sometime we wish to learn lessons the hard way and not heed the advise of our friends. Sure enough, a few months later, voila! Exit the Charmer, Enter the Player!

So get out there people, be the kind of person YOU would like to be around, and leave the rest to chemistry. Or was it biology? I was never any good at the sciences 😉

I end with a line that deeply resonated with me, from a recent film I saw, The secret life of Walter Mitty:

“Beautiful things don’t ask for attention.”