PK (2014)

Aamir Khan redeems himself from the Dhoom 3 debacle after his sincere and comedic performance in pk.

What looks like a drama on religion is actually a very clear message about how to be human. And it’s even more effective when told from pk’s character. It shows us how complex our lives are especially when it comes to matters of faith and love.

Though the message isn’t new, it has been told with a zest and humour which made it more appetising and definitely less preachy. Anushka Sharma plays the reporter and comrade Jaggu with an ease of a seasoned actress. It was nice to see Sanjay Dutt, Boman Irani, yesteryear Pyarelal aka Ram Sethi, Saurabh Shukla and of course Sushant Singh in short but effective roles.

Not relying on special effects or long winded theories this film goes straight to the heart of what it means to be human and have faith. While pk mimics the actions of those around him, he asks an age old question. He provides a fitting answer too, in a signature ‘finale mass media’ Vinod Chopra Raj Kumar Hirani way.

They have come up with a concept which is very delicate and a potential time bomb of a subject in a country like India, but they have walked the tight rope well. Since the ‘perspective’ is pk’s, its ownership too lies with his species. The writing is crisp, light and doesn’t leave anything unexplained. Logic and reason take center stage in a debate which was engaging as it was entertaining.

In the end it took ‘no understanding of ourselves’ to reflect what we have become and how we can still save ourselves. That was the films larger message amongst it’s many commentaries, all of which are sensitive, appropriate and not tipsy but very much in their senses!

4/5

Lucy (2014)

Written and directed by Luc Beeson, this film is extraordinary because it communicates so much with the use of imagery. Working on the premise of how much we use our brain as opposed to what potential we have, this film takes a dark, action packed, gory look at what could go wrong if we meddle with nature.

Scarlett Johansson plays the title role of ‘Lucy’ who is transformed in the film with a drug which increases the use of her senses, her access to her memories and unlocks access to her brain power. What could happen if such a drug was consumed is not only scary but also shows us our untapped capabilities. She is remarkable, vulnerable as she is formidable . Morgan Freeman is his usual self, the sanity, calm and reason ‘quotient’ of an otherwise unfathomable tale.

Though she goes through a traumatic change, she unleashes herself in a very controlled manner, displaying yet unknown or unthinkable human intelligence or awareness.

The conclusion? Something I guessed (or was secretly hoping would happen) and was in awe as it unravelled on screen. It was done with such unforgiving speed and grace that you realise what information we all carry and how much we are yet to learn about ourselves.

Time exists because we do.

3.5/5

The hobbit: Battle of the five armies (2014)

Hobbit: check

Battle: check
Five Armies : check

So we got everything we were promised  Peter Jackson provides a fitting film for the final part of the trilogy of the hobbit.

Sweeping battle scenes, defense strategies and ‘what will happen next?’ were the strengths of the film. The opening scene and the ‘battle on ice’ were visually stunning, while a 250 million dollar budget explain why they were so.

The film faltered in length, though it was fast paced. The 3D aspect (with the poor quality glasses here) greatly impact the viewing pleasure. An unanswered question lingers, why are movies shot in dark tones in 3D? It doesn’t give it depth or richness, just makes it more dull.

A franchise well-milked, it was a conclusion that had to be seen, having invested in the earlier two parts. But ‘the desolation of smaug’ gets my vote as an entertainer.

2.5/5

This is where I leave you (2014)

Four siblings gather to mourn their father for a seven day period. What ensues is dysfunction, old flames, new truths, childhood patterns and continued humour at the expense of others’ misery. Their mother, played by Jane Fonda is the cherry on this multi-layered and flavoured cake, who binds them together with an invisible glue and very visible ‘floatation devices’.

The four ‘poles apart’ siblings include Tina Fey (strong protective sister), Jason Bateman (the focal point of the unsolicited dramatic comedy), Adam Driver (youngest, most reckless and surprising sparks of wisdom),  Corey Stall (boring older brother) and their significant others make a bizarre family.

The strength of the film lies in its unpredictability. Our tendency as human beings to ‘judge’ is also challenged, the need to ‘plan’ everything till its ‘perfect’ is questioned and several ideas of ‘love’ are presented. Made for an adult audience, you come away with some nice one-liners and many laughs, all of which are situational.

Based on a book of the same name by Jonathan Trooper, the writing must be great to have the scenes play out as they do.

2.5/5

Exodus : Gods and Kings (2014)

The biblical tale of Moses, is gripping in parts and clumsy in others. Not overly opulent and shot with an authentic eye for the era, it falters with the body language, which isn’t serious and the English is casual, which doesn’t tie up the film neatly.

While the special effects and locations are spot on, the casting is varied but not entirely strong. John Turturro (Fading Gigolo) looks out of place as the Pharaoh Seti. Joel Edgerton as Rhamses gives an uneven performance, while Sigourney Weaver as Tuya has a blink and miss appearance.

Christian Bale as Moses gives a sincere insight into his dilemma, and Ben Kinglsey as the elder named ‘Nun’ has a short but powerful role. God is depicted as a young boy, a master stroke by Director Ridley Scott, who has approached the episode differently, trying to weave in more science and less miracle.

The overall effect is a well made film, which has a relatively smooth pace, brilliant action sequences, not supported by the cast and its length at 2 hours and 30 minutes.

2/5

Penguins of Madagascar (2014)

The back story of the witty four and their antics since they were young bring them to their current dilemma. An octopus has declared vengeance on all the Penguins and ‘The North Wind’ organisation wants to help them.

Their happy go lucky, no back up plan approach provides a few laughs, while the tension is built alongside. Not expecting as much humour I was surprised to see the varied twists and turns in a story crafted for the flightless quartet.

Fun, with some Madagascar-ish elements, it’s a light watch.

2.5/5

Daawat-e-ishq (2014)

What could have been a witty spicy dish turned out to be a half baked badly prepared main course with two good side dishes.

Side dish 1: Aditya Roy Kapur : refreshing in a clean role, a guy with his heart in the right place, doing the rare balancing act from the beginning.

Side dish 2 : Anupam Kher : a cute, supportive single father who plays along, albeit not to convincingly, but endearing nonetheless.

A talent like Parineeti was good in parts but suffered because of a whimsical characterisation. Her motives, her plan, her agenda and purpose all were warped. So many key things were ignored to move the story along. Short at 2 hours, it could have been a crisp sweet savoury act, but failed to excite any taste buds.

Director Habib Faisal explores the subject of dowry, a very sad state in India. But aren’t those who give dowry just as much to blame? He is associated with some good films as a writer and director, but this one seems as a misfit in that list.

An offering from Yash Raj which will leave a bad taste in your mouth.

1.5/5

The best of me (2014)

Imagine you meet the love of your life 2 decades later in the most bizarre but expected circumstance? What ensues is a predictable yet delicate story of unrequited love. It is based on a novel of the same name, by Nicholas Sparks, who has written 18 other novels, 8 of which have been successful films. Message in a Bottle, A Walk to Remember, The Notebook, to name a few.

Director Michael Hoffman provides us with a well shot film, all the aesthetics are in place and he has perhaps tried to repair the short-comings of the story by the visuals. From the first scene onwards, the treatment of the film is magical in the realms of reality. The fate of two lovers and the emotions they experience weaves in and out of the unexpected and accurate guess work.

The surprise element of the story is not the romance, but the antagonism and its very consistent role. It maintains speed and depth with the love quotient and never fails to surprise you. The strength of the film is its unsaid moments, between the line feelings and the true blue power of pure young love. It falters when it is reunited but makes up for it in the end. An end you hope against hope is true, or a far-fetched guess that it could be. Actors James Marsden, Michelle Monaghan, Luke Bracey and Liana Liberato do justice to their respective ages and roles.

Slow paced and visually stunning, with many different types of relationships being addressed, it is a complete watch.

3/5 

Happy Halloween!

Happy Halloween people! About to do something very scary myself today. Leaving the comfort and familiarity of my BlackBerry Q10 and finally biting the forbidden fruit. Switching to the iPhone 6plus. No more QWERTY keyboard! Major withdrawal symptoms. See you all on the other side, which I am told is a ‘giant technological leap for mankind’!

Happy New Year (2014)

Shah Rukh Khan is the newest member of the ‘Crap Crore Club’. Aamir with Dhoom 3, Salman with Kick, Hrithik with Bang Bang and now this spectacle which lacks soul or originality.

Am going to keep it short. SRK looks scary and the macho image looks forced. Deepika is gifted with accents, she entertains like she did in Chennai Express and looks fab. They all have convenient back stories. Boman plays a 50 year old Parsi with a few ticks. Sonu Sood looks great and does a decent job, while Abhishek shouldn’t have agreed to the not-so-funny puking. Vivaan Shah makes a confident debut.

Needless to say common sense was left out, focusing on scenes and songs strung together to hopefully entertain. Some unexpected laughs did escape my mouth, but overall the long length and illogical proceedings made it tiresome. Dubai looks great.

If you haven’t got enough of Reality Dance Shows on TV, watch this.

1.5/5